{"id":5116,"date":"2023-08-09T13:28:08","date_gmt":"2023-08-09T17:28:08","guid":{"rendered":"https:\/\/opentextbooks.concordia.ca\/art366\/?post_type=back-matter&p=5116"},"modified":"2023-11-29T17:13:59","modified_gmt":"2023-11-29T22:13:59","slug":"bibliography","status":"publish","type":"back-matter","link":"https:\/\/opentextbooks.concordia.ca\/creating-the-modern\/back-matter\/bibliography\/","title":{"raw":"BIBLIOGRAPHY","rendered":"BIBLIOGRAPHY"},"content":{"raw":" \r\n\r\nAdams, Steven. \u201c \u2018The fault of being purely French\u2019: The Practice and Theory of Landscape Painting in Post-Revolutionary France.\u201d Art History<\/em> 36, no. 4 (September 2013): 740\u2013767.\r\n\r\nAlbert, Nicole G. Lesbian Decadence: Representations in Art and Literature of Fin-de-Si\u00e8cle France<\/em>. Translated by Nancy Erber, and William Peniston. New York: Harrington Park Press, 2016.\r\n\r\nAlexander, Robert L. \u201cCourbet and Assyrian Sculpture.\u201d Art Bulletin<\/em> 47, no. 4 (December 1965): 447\u2013452.\r\n\r\nAllan, Scott C. \u201c \u2018A Pretty Piece of Painting\u2019: Gauguin's Arii Matamoe<\/em>.\u201d Getty Research Journal<\/em>, no. 4 (2012): 75\u201390.\r\n\r\nAlley, Ronald. \u201cEmile Bernard. Amsterdam, Van Gogh Museum.\u201d Burlington Magazine<\/em> 133, no. 1056 (1991): 214\u201316.\r\n\r\nAnassoglou-Kallmyer, Nina. \u201c \u2018Le Grand Tout\u2019: Monet on Belle-\u00cele and the Impulse toward Unity.\u201d The Art Bulletin<\/em> 97, no. 3 (2015): 323\u201341.\r\n\r\nAnger, Karin. \u201cTruth To (His) Nature: Judaism in The Art of Simeon Solomon.\u201d\u00a0Constellations<\/em>,\u00a09 no. 2 (2018). (https:\/\/doi.org\/10.29173\/cons29349)\r\n\r\nApter, Emily. \u201cThe Garden of Scopic Perversion from Monet to Mirbeau.\u201d October<\/em> 47 (1988): 91\u2013115.\r\n\r\nArmstrong, Carol M. \u201cFacturing Femininity: Manet's Before the Mirror<\/em>.\u201d October<\/em> 74 (Autumn 1995): 74\u201304.\r\n\r\n\u2014. Manet Manette<\/em>. Princeton: Yale University Press, 2002.\r\n\r\n\u2014. Odd Man Out: Readings of the Work and Reputation of Edgar Degas<\/em>. Chicago: University of Chicago Press, 1991.\r\n\r\nAthanassoglou-Kallmyer, Nina. \u201cG\u00e9ricault's Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold.\u201d Art Bulletin<\/em> 74, no. 4 (December 1992): 599\u2013618.\r\n\r\nBaas, Jacquelynn. \"Edouard Manet and Civil War<\/em>.\" Art Journal<\/em> 45, no. 1 (Spring 1985): 36\u201342.\r\n\r\nBaas, Jacquelynn. Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today<\/em>. Berkeley: University of California Press, 2005.\r\n\r\nBailey, Colin B. Renoir, Impressionism, and Full-length Painting<\/em>. New York: The Frick Collection; New Haven: in association with Yale University Press, 2012.\r\n\r\nBailey, Martin. \u201cGauguin\u2019s Clogs.\u201d Burlington Magazine<\/em> 152, no. 1289 (2010): 540\u201343.\r\n\r\nBann, Stephen. Distinguished Images: Prints in the Visual Economy of 19th century France<\/em>. New Haven: Yale University Press, 2013.\r\n\r\n\u2014. Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-century France<\/em>. New Haven: Yale University Press, 2001.\r\n\r\n\u2014. \u201c \u2018When I Was a Photographer\u2019: Nadar and History.\u201d History and Theory<\/em> 48, no. 4 (December 2009): 95\u2013111.\r\n\r\nBarbour, Daphne. \"Degas's Little Dancer<\/em>: Not Just a Study in the Nude.\" Art Journal<\/em> 54, no. 2 (Summer 1995): 28\u201332.\r\n\r\nBareau, Juliet Wilson. Manet, Monet, and the Gare Saint-Lazare<\/em>. Washington: National Gallery of Art; New Haven: Yale University Press, 1998.\r\n\r\nBashkirtseff, Marie. Marie Bashkirtseff<\/em>: The Journal of a Young Artist: 1860-1884. <\/em>London: Virago Press, 1985.\r\n\r\nBaudelaire, Charles. \u201cThe Modern Public and Photography.\u201d In Classic Essays in Photography<\/em>, edited by Alan Trachtenberg, 83\u201390. Sedgwick: Leete\u2019s Island Books, 1981.\r\n\r\n\u2014. \u201cThe Painter of Modern Life.\u201d In The Painter of Modern Life and Other Essays<\/em>. London: Phaidon, 1963. http:\/\/www.columbia.edu\/itc\/architecture\/ockman\/pdfs\/dossier_4\/Baudelaire.pdf\r\n\r\n\u2014. \u201cThe Painter of Modern Life \u2014 Modernity. [1863]\u201d Translated excerpt reprinted in Modern Art and Modernism: A Critical Anthology<\/em>, edited by Francis Frascina, and Charles Harrison. New York: Routledge, 1982.\r\n\r\nBeaulieu, Jill, and Mary Roberts, eds. Orientalism's Interlocutors: Painting, Architecture, Photography. <\/em>Durham: Duke University Press, 2002.\r\n\r\nBeeny, Emily A. \"Christ and the Angels: Manet, the Morgue, and the Death of History Painting?\" Representations<\/em> 122, no. 1 (Spring 2013): 51\u201382.\r\n\r\nBenjamin, Roger. \"Ingres Chez Les Fauves.\" Art History<\/em> 23, no.5 (2000): 743\u2013771.\r\n\r\nBerger, Maurice, et al. Masterworks of The Jewish Museum<\/em>. New York: The Jewish Museum, 2004.\r\n\r\nBergman-Carton, Janis. The Woman of Ideas in French Art, 1830-1848. <\/em>New Haven: Yale University Press, 1995.\r\n\r\nBerman, Patricia G. \u201cEdvard Munch\u2019s Self-Portrait with Cigarette: Smoking and the Bohemian Persona.\u201d Art Bulletin<\/em> 75, no. 4 (1993): 627\u2013646.\r\n\r\nBerman, Russell A. Cultural Studies of Modern Germany: History, Representation, and Nationhood <\/em>. Madison, WI: University of Wisconsin Press, 1993.\r\n\r\nBernardi, Claire. \u201cIteration and Invention in Gauguin\u2019s Paintings.\u201d In Gauguin: Artist as Alchemist<\/em>, edited by Gloria Groom, 56\u201363. New Haven: Yale University Press, 2017.\r\n\r\nBernheimer, Charles. \"Degas's Brothels: Voyeurism and Ideology.\" Representations<\/em>, no. 20 (Autumn, 1987): 158\u2013186.\r\n\r\nBernier, R.R. \u201cThe Subject and Painting: Monet's \u2018Language of the Sketch.\u2019\u201d Art History<\/em> 12, no. 3 (1989): 298\u2013321.\r\n\r\nBerrong, Richard M. \u201cThe Trials of Love and Art for an Impressionist Painter: Monet and Pierre Loti's Iceland Fisherman.\u201d Nineteenth-Century Contexts: An Interdisciplinary Journal<\/em> 35, no. 4 (2013): 343\u2013362.\r\n\r\nBoggs, Jean S. \u201cEdgar Degas and the Bellellis.\u201d Art Bulletin<\/em> 37, no. 2 (June 1955): 127\u2013136.\r\n\r\nBohrer, Frederick N. \u201cInventing Assyria: Exoticism and Reception in Nineteenth-Century England and France.<\/em>\u201d Art Bulletin<\/em> 80, no. 2 (June 1998): 336\u2013356.\r\n\r\nBoime, Albert. The Academy and French Painting in the Nineteenth Century<\/em>. London: Phaidon, 1971.\r\n\r\n\u2014. Art and the French Commune: Imagining Paris after War and Revolution.<\/em> Princeton: Princeton University Press, 1995.\r\n\r\n\u2014. Art in an Age of Civil Struggle, 1848-1871<\/em>. Chicago: University of Chicago Press, 2007.\r\n\r\n\u2014. \u201cPortraying Monomaniacs to Service the Alienist\u2019s Monomania: G\u00e9ricault and Georget.\u201d Oxford Art Journal<\/em> 14, no. 1 (1991): 79\u201391.\r\n\r\n\u2014. Revelation of Modernism: Responses to Cultural Crises in Fin-de-Si\u00e8cle Painting. <\/em>Columbia: University of Missouri Press, 2008.\r\n\r\nBomford, David. \u201cRough Manners: Reflections on Courbet and Seventeenth-Century Painting.\u201d Papers from the Symposium Looking at the Landscapes: Courbet and Modernism<\/em>. Held at the J. Paul Getty Museum on March 18, 2006. J. Paul Getty Trust, 2007.\r\n\r\nBorowitz, Helen O. \"Youth as Metaphor and Image in Wedekind, Kokoschka, and Schiele.\" Art Journal <\/em>33, no. 3 (Spring 1974): 219\u2013225.\r\n\r\nBourdieu, Pierre. Manet: A Symbolic Revolution.<\/em> Cambridge: Polity Press, 2017.\r\n\r\n\u2014. The Rules of Art: Genesis and Structure of the Literary Field. <\/em>Stanford: Stanford University Press, 1996.\r\n\r\nBowen, Anne McElroy. \u201cMunch and Agoraphobia: His Art and His Illness.\u201d RACAR: Revue d'art canadienne \/ Canadian Art Review<\/em> 15, no. 1 (1988): 23\u201350.\r\n\r\nBrennecke, Mishoe. \u201cDouble D\u00e9but: \u00c9douard Manet and The Execution of Maximilian<\/em> in New York and Boston, 1879-80,\u201d Nineteenth-Century Art Worldwide<\/em> 3, no. 2 (Autumn 2004), http:\/\/www.19thc-artworldwide.org\/autumn04\/296--double-debut-edouard-manet-and-the-execution-of-maximilian-in-new-york-and-boston-1879-80\r\n\r\nBretell, Richard R. \u201cGauguin: New York.\u201d Burlington Magazine<\/em> 156, no. 1336 (2014): 482\u201384.\r\n\r\n\u2014. Impression: Painting Quickly in France, 1860-1890. <\/em>New Haven: Yale University Press in association with the Sterling and Francine Clark Art Institute, 2000.\r\n\r\n\u2014. \u201cMonet's Haystacks Reconsidered.\u201d Art Institute of Chicago Museum Studies<\/em> 11, no. 1 (Autumn 1984): 4\u201321.\r\n\r\nBreuer, Karin. Japanesque: The Japanese Print in the Era of Impressionism<\/em>. DelMonico Books; Prestel, 2010.\r\n\r\nBrevern, Jan von. \u201cResemblance after Photography.\u201d Representations<\/em> 123, no. 1 (Summer 2013):\u00a0 1\u201322.\r\n\r\nBrilliant, Richard. Portraiture<\/em>. Cambridge: Harvard University Press, 1991.\r\n\r\nBrooks, Peter. Realist Vision.<\/em> New Haven: Yale University Press, 2005.\r\n\r\nBroude, Norma. \"Edgar Degas and French Feminism, ca. 1880: The Young Spartans, the Brothel Monotypes, and the Bathers Revisited.\" Art Bulletin<\/em> 70, no. 4 (December 1988): 640\u2013659.\r\n\r\n\u2014, ed. Gauguin\u2019s Challenge: New Perspectives After Postmodernism<\/em>. London: Bloomsbury Visual Arts, 2018.\r\n\r\n\u2014, ed. Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris.<\/em> New Brunswick: Rutgers University Press, 2002.\r\n\r\n\u2014. Impressionism: A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century<\/em>. New York: Rizzoli, 1991.\r\n\r\n\u2014, ed. \u201cIntroduction: Gauguin after Postmodernism.\u201d In Gauguin\u2019s Challenge: New Perspectives After Postmodernism<\/em>, 1\u201314. New York: Bloomsbury Visual Arts, 2018.\r\n\r\n\u2014. \"Mary Cassatt: Modern Woman or the Cult of True Womanhood?\" Woman's Art Journal<\/em> 21, no. 2 (October 2000): 36\u201343.\r\n\r\nBrown, Kathryn. \u201cThe Aesthetics of Presence: Looking at Degas's Bathers.\u201d Journal of Aesthetics & Art Criticism<\/em> 68, no. 4 (Fall 2010): 331\u2013341.\r\n\r\n\u2014. Perspectives on Degas. <\/em>New York: Routledge, 2017.\r\n\r\n\u2014. Women Readers in French Painting 1870-1890: A Source for the Imagination.<\/em> Surrey: Ashgate, 2012.\r\n\r\nBrown, Marilyn R. A Cotton Office in New Orleans. <\/em>University Park: Pennsylvania State University Press, 1994.\r\n\r\n\u2014. \u201c\u2018Miss La La\u2019s\u2019 Teeth: Reflections on Degas and \u2018Race.\u2019\u201d Art Bulletin<\/em> 89, no. 4 (2007): 738\u201365.\r\n\r\nBuettner, Stewart. \"Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz.\" Woman's Art Journal<\/em> 7, no. 2 (Autumn 1986 - Winter 1987): 14\u201321.\r\n\r\nBurns, Thea, and Vojtech Jirat-Wasiutynski. \u201cPaul Gauguin\u2019s Breton \u2018Girl by the Sea\u2019: Recovering a Gouache for the Artist\u2019s Oeuvre.\u201d Artibus et Historiae<\/em> 17, no. 33 (1996): 175\u201385.\r\n\r\nCadava, Eduardo. \u201cNadar's Photographopolis.\u201d Grey Room<\/em>, no. 48 (Summer 2012): 56\u201377.\r\n\r\nCallen, Anthea. \u201cDoubles and Desire: Anatomies of Masculinity in the Later Nineteenth Century.\u201d Art History<\/em> 26, no. 5 (2003): 669\u2013699.\r\n\r\n\u2014. The Spectacular Body: Science, Method, and Meaning in the Work of Degas<\/em>. New Haven: Yale University Press, 1995.\r\n\r\n\u2014. Techniques of the Impressionists<\/em>. London: Orbis, 1982.\r\n\r\nCanning, Susan M. \u201cThe Ordure of Anarchy: Scatological Signs of Self and Society in the Art of James Ensor.\u201d Art Journal<\/em> 52, no. 3 (1993): 47\u201353.\r\n\r\nCardinal, Roger. \u201cGauguin.\u201d Burlington Magazine<\/em> 152, no. 1293 (2010): 805\u2013808.\r\n\r\nCarter, Karen L. \u201cThe Spectatorship of the 'Affiche Illustr\u00e9e' and the Modern City of Paris, 1880-1900.\u201d Journal of Design History<\/em>, 2012, Vol. 25, No. 1 (2012): 11\u201331.\r\n\r\nChang, Ting. \u201cHats and Hierarchy in Gustave Courbet's The Meeting<\/em>.\u201d Art Bulletin<\/em> 86, no. 4 (December 2004): 719\u2013730.\r\n\r\nCharlesworth, Michael. Landscape and Vision in Nineteenth-century Britain and France<\/em>. Aldershot: Ashgate, 2008.\r\n\r\nChilds, Elizabeth C. Vanishing Paradise: Art and Exoticism in Colonial Tahiti<\/em>. Berkeley: University of California Press, 2013.\r\n\r\nChristensen, Carol. \u201cThe Painting Materials and Technique of Paul Gauguin.\u201d Studies in the History of Art<\/em> 41 (1993): 62\u2013103.\r\n\r\nChu, Petra Ten-Doesschate. \u201cGustave Courbet's Venus and Psyche<\/em>: Uneasy Nudity in Second-Empire France.\u201d Art Journal<\/em> 51, no. 1 (Spring 1992): 38\u201344.\r\n\r\n__. ed. Letters of Gustave Courbet<\/em>. Chicago and London: University of Chicago Press, 1992.\r\n\r\n\u2014. \"Public Commemoration and Private Memory: F\u00e9lix Bracquemond vis-\u00e0-vis the Siege of Paris and the Commune.\" Getty Research Journal<\/em>, no. 5 (2013): 73\u201388.\r\n\r\n\u2014. \u201cShowing Making in Courbet\u2019s The Painter\u2019s Studio.<\/em>\u201d In Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean<\/em>, edited by Rachel Esner et al., 62\u201372. Amsterdam University Press, 2013.\r\n\r\nClarke, David. \u201cGauguin, Linguistic Opacity, and Cultural Difference.\u201d Source<\/em> 38, no. 2 (2019): 98\u2013107.\r\n\r\nClarke, Jay A. ed. The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark<\/em>. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2013.\r\n\r\nClark, T.J. \u201cThe Courbet Legend.\u201d In Image of the People: Gustave Courbet and the 1848 Revolution<\/em>, 21\u201335. Berkeley: University of California Press, 1973.\r\n\r\n\u2014. \u201cGross David with the Swoln Cheek: An Essay on Self-Portraiture.\u201d In Rediscovering History: Culture, Politics, and the Psyche<\/em>, edited by Carl E. Schorske, and Michael S. Roth, 243\u2013307. Stanford: Stanford University Press, 1994.\r\n\r\n\u2014. The Painting of Modern Life: Paris in the Art of Manet and his Followers.<\/em> Princeton: Princeton University Press, 1984.\r\n\r\nClayson, Hollis. \"The Family and the Father: The Grande Jatte<\/em> and Its Absences.\" Art Institute of Chicago Museum Studies<\/em> 14, no. 2 (1989): 154\u2013164, 242\u2013244.\r\n\r\n\u2014. Paris in Despair: Art and Everyday Life under Siege (1870-71).<\/em> Chicago: University of Chicago Press, 2002.\r\n\r\n\u2014. \u201c \u2018Some Things Bear Fruit?\u2019 Witnessing the Bonds between Van Gogh and Gauguin.\u201d Art Bulletin<\/em> 84, no. 4 (December 2002): 670\u2013684.\r\n\r\n\u2014. \u201cSuspicious Professions.\u201d In Painted Love: Prostitution in French Art of the Impressionist Era<\/em>, 113\u2013131. New Haven: Yale University Press, 1991. http:\/\/d2aohiyo3d3idm.cloudfront.net\/publications\/virtuallibrary\/0892367296.pdf.\r\n\r\n\u2014. \u201cA Wintry Masculinity: Art, Soldiering, and Gendered Space in Paris under Siege.\u201d Nineteenth-Century Contexts: An Interdisciplinary Journal<\/em> 20, no. 4 (1999): 385\u2013408.\r\n\r\nCole, Thomas B. \u201cMonet Painting in His Garden at Argenteuil.\u201c JAMA<\/em> 305, no. 23 (2011): 2384.\r\n\r\nCollins, John B. \u201cSeeking l\u2019esprit gaulois<\/em>: Renoir\u2019s Bal du Moulin de la Galette<\/em> and Aspects of French Social History and Popular Culture.\u201d PhD diss., McGill University, 2001.\r\n\r\nConlon, James. \u201cMen Reading Women Reading: Interpreting Images of Women Readers.\u201d Frontiers: A Journal of Women Studies<\/em> 26, no. 2 (2005): 37\u201358.\r\n\r\nCooke, Peter. \u201cGustave Moreau\u2019s \u2018Salome\u2019: The Poetics and Politics of History Painting.\u201d Burlington Magazine<\/em> 149, no. 1253 (August 2007): 528\u2013536.\r\n\r\n\u2014. \u201c \u2018It Isn\u2019t a Dance\u2019: Gustave Moreau\u2019s \u2018Salome\u2019 and \u2018The Apparition.\u2019 \u201d Dance Research: The Journal of the Society for Dance Research<\/em> 29, no. 2 (2011): 214\u201332.\r\n\r\nCorbin, Alain. \u201cCommercial Sexuality in Nineteenth-Century France: A System of Images and Regulations.\u201d Representations<\/em>, no. 14 (Spring 1986): 209\u2013219.\r\n\r\nCourbet, Gustave. \u201cFrom Realist Manifesto<\/em> 1855.\u201d In Modernism: An Anthology of Sources and Documents<\/em>, edited by Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou, 169. Chicago: University of Chicago Press, 1998.\r\n\r\nCrimp, Douglas. \u201cPositive\/Negative: A Note on Degas's Photographs.\u201d October<\/em> 5 (Summer 1978): 89\u2013100.\r\n\r\nDavenport, Nancy. \u201cWilliam Holman-Hunt: Layered Belief in the Art of a Pre-Raphaelite Realist.\u201d Religion and the Arts<\/em>, 16 (2012): 29\u201377.\r\n\r\nDavis, Shane Adler. \u201c \u2018Fine Cloths on the Altar\u2019: The Commodification of Late-Nineteenth-Century France.\u201d Art Journal<\/em> 48, no. 1 (Spring 1989): 85\u201389.\r\n\r\nDawkins, Heather. The Nude in French Art and Culture, 1870-1910<\/em>. London: Cambridge University Press, 2002.\r\n\r\nDe Duve, Thierry and Brian Holmes. \u201cHow Manet's A Bar at the Folies-Berg\u00e8re<\/em> is Constructed.\u201d Critical Inquiry <\/em>25, no. 1 (Autumn 1998): 136\u2013168.\r\n\r\nDeLue, Rachael Ziady. \u201cPissarro, Landscape, Vision, and Tradition.\u201d Art Bulletin<\/em> 80, no. 4 (December 1998): 718\u201336.\r\n\r\nDenton, Margaret. \u201cFrancis Wey and the Discourse of Photography as Art in France in the Early 1850s: \u2018Rien n'est beau que le vrai; mais il faut le choisir\u2019.\u201d Art History<\/em> 25, no. 5 (November 2002): 622\u2013648.\r\n\r\nDeVonyar, Jill. Degas and the Art of Japan.<\/em> Reading: Reading Public Museum; New Haven: Yale University Press, 2007.\r\n\r\n\u2014, and Richard Kendall. Degas and the Dance<\/em>. New York: Harry N. Abrams, Inc., 2002.\r\n\r\nDixon, Annette, et al. The Dancer: Degas, Forain, Toulouse-Lautrec. <\/em>Portland: Portland Art Museum, 2008.\r\n\r\nDolan, Therese. Perspectives on Manet<\/em>. Farnham, Surrey: Ashgate, 2012.\r\n\r\n\u2014. \u201cSkirting the Issue: Manet's Portrait of Baudelaire's Mistress, Reclining<\/em>.\u201d Art Bulletin<\/em> 79, no. 4 (December 1997): 611\u201329.\r\n\r\nDombrowski, Andr\u00e9. \u201cHistory, Memory, and Instantaneity in Edgar Degas's Place de la Concorde<\/em>.\u201d Art Bulletin<\/em> 93, no. 2 (June 2011): 195\u2013219.\r\n\r\nDonahue, Suzanne M. \u201cExoticism and Androgyny in Gauguin.\u201d Aurora: The Journal of the History of Art<\/em> 1 (November 2000): 103\u2013121.\r\n\r\nDorra, Henri. The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity<\/em>. Berkeley: University of California Press, 2007.\r\n\r\nDowning, Kimberly Freeman. \u201cG\u00e9ricault, Tennyson, and the Unreliable Narrator: The Medical Case Study as a Rhetorical Model for Nineteenth-Century Literature and Art.\u201d Interdisciplinary Humanities<\/em> 26, no. 1 (Spring 2009): 89\u2013100.\r\n\r\nDu Preez, Amanda. \u201cPutting on Appearances: Mimetic Representations of Hysteria.\u201d de arte<\/em> 39, no. 69 (2004): 47\u201361.\r\n\r\nEaston, Elizabeth W., ed. Snapshot: Painters and Photography, Bonnard to Vuillard<\/em>. New Haven: Yale University Press, 2011.\r\n\r\nEfterpi, Mitsi. \u201cThe Turkish Bath in Women\u2019s Travel Writing Private Rituals and Public Selves.\u201d In Inside Out: Women Negotiating, Subverting, Appropriating Public and Private Space<\/em>, edited by Reus G\u00f3mez, and Ar\u00e1nzazu Usandizaga, 47\u201363. Amsterdam and New York: Rodopi, 2008.\r\n\r\nEisenman, Stephen F. \u201cAllegory and Anarchism in James Ensor\u2019s \u2018Apparition: Vision Preceding Futurism.\u2019\u201d Record of the Art Museum, Princeton University<\/em> 46, no. 1 (1987): 3\u201317.\r\n\r\n\u2014. From Corot to Monet: The Ecology of Impressionism<\/em>. Milan: Skira, 2010.\r\n\r\n\u2014. Gauguin's Skirt<\/em>. New York: Thames and Hudson, 1997.\r\n\r\n\u2014. \"Nonfiction Painting: Mimesis and Modernism in Manet's Escape of Rochefort<\/em>.\" Art Journal <\/em>46, no. 4 (Winter 1987): 278\u2013284.\r\n\r\n\u2014, et al. Paul Gauguin : Artist of Myth and Dream<\/em>. Milan: Skira, 2007.\r\n\r\n\u2014. Paul Gauguin<\/em>. 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